![]() ![]() Both shows are remembered here today as the stuff of legend only the likes of Bruce Springsteen could create, concerts people still talk about 40 years later. The radio segment, an eight-song set bookended by a seven-minute interview, helped Springsteen conquer his first Southern city.įive days later, on March 15, he arrived in Austin for a two-night stand at the Armadillo World Headquarters, which was razed in 1981. You play to the band because no one else is there."īut the Bayou City was hip to Springsteen, largely because Appel had sent KLOL a demo of "The Fever," which had gotten play around town. "So you go down there and you play this big place, and you turn your microphone on and you face the band. In Nashville, people at that particular branch of the record company were like, 'Zzzzzz,' so the FM station didn't even know there was a second album out. ![]() We just did Atlanta, and we just did Nashville, and it was really zero. On KLOL-FM, after the first of four nights at Houston's Liberty Hall, Springsteen said: "It's hard. Springsteen addressed his Southern plight when he arrived in Texas in March 1974. A day later, Springsteen asked for Lopez's resignation and the band was forced to cancel the rest of its regional run. Nearly a year later, before a February concert at the University of Kentucky supporting second album The Wild, the Innocent & the E Street Shuffle, band manager Mike Appel got into an argument with drummer Vini Lopez. His voice is undistinguished, though it cannot be ignored in his songs, and his guitar playing is somewhere to the left of center of a bell curve." Thin and pale and dressed in black, he looks like a parody of early Bob Dylan. In Fayetteville, N.C., there was a show supporting Chicago that he'd later describe as "a soul-destroying experience." Richmond, Va., followed, where Barbara Green for The News Leader wrote: "Bruce Springsteen is a curious performer. The South hadn't been kind to Bruce Springsteen.Īn April 1973 gig opening for the Beach Boys in Atlanta sold 3,000 tickets in a room big enough for 16,000. The Boss backstage at the 'Dillo, 1974 (Photo by Burton Wilson) ![]()
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